Mom in the Movies: The Iconic Screen Mothers You Love (and a Few You Love to Hate)
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11 Things You Didn’t Know About ‘Pretty In Pink’
A lifelong music fan, Jenkins believed in her own talent, and the actress does her the courtesy of taking her seriously, belting out every mangled song with an unwavering faith. Directed by Stephen Frears and co-starring Hugh Grant as her loyal husband well, except for the fact that he has a secret girlfriend on the side , Florence Foster Jenkins clearly admires this adorably deluded woman, and Streep makes her misplaced ambition lovable, even heroic.
Writer-director Ben Younger investigates the familial and romantic bonds that can both strengthen and tear apart people, and Streep eases into her role as a woman who takes her Judaism seriously. Still of the Night Three years after they both won Oscars for Kramer vs.
She has maybe three scenes for about four total minutes of screen time. He apparently tried to run her over with a car, or at least Freud would say so.
Mom in the Movies - National Library Board Singapore - OverDrive
Reuniting with Manchurian Candidate director Jonathan Demme, Streep is convincingly disheveled as a middle-aged wild child who may never have made it big but, all in all, is happier being broke and playing in a local bar than living a traditional life. Streep is funny, light, and undeniably sexy, and her Louisiana accent is, as always, perfect.
And convincing us that she finds Alan Alda this irresistible might be one of the crowning achievements of her career. Okay, not exactly, but The River Wild did put Streep in unfamiliar territory, that of a wife and mother who must protect her family during a whitewater-rafting trip after they befriend fellow outdoorsmen Kevin Bacon and John C.
Reilly who turn out to be dangerous criminals on the run. The relationship between Fisher and her mom played by Shirley MacLaine works a lot better than the Hollywood satire stuff, which felt toothless even back then and now might as well be about the silent-movie era. For some reason, Streep never quite feels right in movies where she lives in Los Angeles. In this wistful comedy, she plays Yolanda Johnson, part of a country-singing sister duo alongside Lily Tomlin , who never quite got over the fact that Garrison Keillor ended their romantic relationship.
That said, Streep is pretty great. That sounds like more of a downer than the film is, and the movie, all told, probably deserves to be rediscovered a bit. Also of note: This is a film in which Streep and Keaton were co-leads … but Keaton got the Oscar nomination! The Hours The Hours can be smothering in its studied sadness, but Streep lends some much-needed heart to this glassy adaptation of the Pulitzer Prize—winning Michael Cunningham novel.
In a film undone by dramatic flourishes, Streep is quiet, subtle, reserved — this is a performance in which the somber, thoughtful reactions are more important and moving than the flowery speeches. You can believe this woman would have an estranged daughter: Streep is uncompromising in how suffocating she is.
But she sneaks in glimpses of the good soul underneath and, more than anything, how much more difficult her life has been than anyone realized. This is the start of Box-Office Streep, and you can see her luxuriating in her newfound powers. Streep is always thought of as such a Serious Actress, but this is just a big old Movie Star goofing around and having a ball. No complaints here. Streep is often cast simply as an indicator of prestige, a sign that this movie would have a hard-core awards push at some point.
But in her prime, Streep was able to transcend this. The movie might have been artificial, but she never was. Doubt ; nominated for Best Actress, lost to Kate Winslet in The Reader All due respect to Streep, but the definitive portrayal of Sister Aloysius Beauvier, the severe Catholic-school principal in Doubt , remains Cherry Jones, who played her so brilliantly on Broadway, winning a Tony in the process.
Seriously: That light is still extremely dim.
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Death Becomes Her A ballsy, outrageous, effects-heavy black comedy, Death Becomes Her is a biting satire about aging, cosmetic surgery, and the fruitless desire to be forever young — issues that are rarely far from the minds of people in Hollywood. Streep is mercilessly funny as Madeline Ashton, a vain, washed-up Broadway star locked in a lifelong battle with frenemy Helen Sharp Goldie Hawn , with hapless surgeon Ernest Menville Bruce Willis caught in the middle. Good choices, good photos and good writing including a few wince-inducing puns "tip of the nice-berg".
A fun stroll down memory lane, with some lesser-known films to add to my To-Watch list. Well done!
May 23, Bunny rated it liked it Shelves: read-in A really nice coffee table book. Most of the movies are from very early on in movie history, with only a handful made after , but I now have a list of older movies I must get my hands on. Plus they mention Mommy Dearest. Dec 15, Jon Rybka-Wachhaus rated it it was amazing. Really great cocktail book about mothers. Jan 10, Nathan Albright rated it really liked it Shelves: challenge I must admit that while I enjoyed this book I had somewhat ambivalent feelings about it.
This book is obviously written by someone who has a great love of classic movies, and who has an agenda about supporting family dramas, a type of movie that was more popular in the past than at present. My own feeling about family dramas are, as one might imagine, somewhat complicated by my own life . I must admit as well that I have not been in the habit of watching old movies to the extent that, say, I must admit that while I enjoyed this book I had somewhat ambivalent feelings about it. I must admit as well that I have not been in the habit of watching old movies to the extent that, say, my roommate is.